Monday, July 15, 2013
WEEKEND BOX OFFICE: Raunchy 'Grown Ups' Sequel Edges Out 'Pacific Rim; 'Despicable Me 2' Repeats
The Minions from Despicable Me 2 may have conquered the box office for a second week in a row, but the most asked question coming out of the weekend was how Adam Sandler's toilet humor antics attracted a slightly larger audience than giant robots clanking metal with Godzilla.
Grown Ups 2 and Pacific Rim clashed head-to-head for the #2 and #3 spots over the weekend, however Adam Sandler's comedy emerged victorious with $42.5 million to Pacific Rim's $38 million. Grown Ups 2 and Pacific Rim appeal to two completely polarizing demographics, but both films still fell short of Despicable Me 2's second weekend haul, opening close to $45 million.
Despicable Me 2 continues its assault on the summer box office, breaking the $200 million milestone in 12 days of release. Only Toy Story 3 and Shrek 2 reached $200 million a few days faster with both finishing above $400 million at the box office.
Tuesday, July 9, 2013
WEEKEND BOX OFFICE: 'Despicable Me 2' Conquers Fourth of July Box Office, Depp's 'Lone Ranger' Left for Dead
The lovable minions from the highly anticipated sequel, Despicable Me 2 lit up the Fourth of July holiday frame earning the top spot this weekend as well as becoming the most successful animated film for the first 5-days of its run. Despicable Me 2 looks to join animated juggernauts such as Shrek 2, The Lion King and Finding Nemo by summer's end.
However, Johnny Depp's costly iteration of The Lone Ranger couldn't hold a candle to the success of Despicable Me 2, opening much lower than anticipated by many box-office analysts. With a weak $29 million 3-day opening, The Lone Ranger is pegged to be one of 2013's greatest financial failures.
The Heat, Monsters University and World War Z round out the weekend's Top 5 with all three films continuing their ascent towards their next milestones.
Monday, July 8, 2013
Disney's 'Lone Ranger' Loses Its Way in Bloated Western Adventure
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Johnny Depp carries over his quirky Jack Sparrow routine as Tonto in The Lone Ranger. |
Ever since Pirates of the Caribbean: The Curse of the Black Pearl made boatloads of booty back in 2003, Disney has desperately gone back to the drawing board attempt to duplicate its financial and critical success. 2010's Prince of Persia: The Sands of Time failed to generate any sort of buzz as did last year's John Carter, but now with The Lone Ranger riding headfirst to the big screen, is there any reason to beat yet another dead horse?
Going through the motions to tell the origins of how and why district attorney John Reid (Armie Hammer) and Comanche outcast Tonto (Johnny Depp) crossed each other's paths shouldn't need to include a tonal seesaw shifting between silly lighthearted Jack Sparrow stunts one minute and the villains feasting on a victim's bleeding guts the next.
Friday, May 18, 2012
Retro 'Shadows' Thrills as a Jagged Supernatural Ride
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Director Tim Burton tackles the soap opera drama of Collinswood Manor with his usual crew. |
Tim Burton is one of those directors who can’t shake himself
out of his comfort zone of being predictable. His past several films all seem
to have the same recurring elements, namely the ever-quirky performances of
Johnny Depp and Helena Bonham Carter as well as haunting scores from Danny
Elfman, which serve as the ideal complement for the consistent dark cinematic
themes. To some, the constant repetition of the same collaborators over and
over may seem like taking the easy way out, yet we don’t criticize Martin
Scorsese and Christopher Nolan for being equally guilty of reusing talent.
Simply put, Tim Burton retaining his predictable state functions as the best outcome, not only because it has worked time and time again, but we go in knowing exactly what to expect from him as a filmmaker. With Dark Shadows, Burton takes the 1960s supernatural soap opera with the same name and revises years of canon to ultimately match his peculiar style and fit within a constrictive two-hour timeframe. Bogged down in gothic undertones and vengeful tendencies, Dark Shadows is right up Burton’s alley, who alongside Johnny Depp were both fans of the original show.
Simply put, Tim Burton retaining his predictable state functions as the best outcome, not only because it has worked time and time again, but we go in knowing exactly what to expect from him as a filmmaker. With Dark Shadows, Burton takes the 1960s supernatural soap opera with the same name and revises years of canon to ultimately match his peculiar style and fit within a constrictive two-hour timeframe. Bogged down in gothic undertones and vengeful tendencies, Dark Shadows is right up Burton’s alley, who alongside Johnny Depp were both fans of the original show.
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