'Croods' Adventure Travels a Bland, Prehistoric Road

Rebellious cave teen Eep (Emma Stone) ventures out beyond the protection of her cave.

It's been quite a few years since DreamWorks last stumbled along with one of their family-friendly animated features.  Having found out-of-the-blue success with How to Train Your Dragon and Kung Fu Panda, DreamWorks Animation was certainly giving Pixar a run for its money as the undisputed king of animated superiority. That is, until now.

Their latest animated feature, The Croods might lack the signature charm and wholesome value seen in DreamWorks previous cartoony flicks, but there's no denying that this escape to this prehistoric world has a few tricks up its sleeve. The Croods are one of the last remaining caveman families that have survived thanks to their overprotective father Grug (Nicholas Cage), believing that anything beyond their humble cave dwelling is dangerous and should be avoided at all costs. Their plastic bubble is shaken when his teenage daughter Eep (Emma Stone) ventures out beyond the cave.

'Hobbit' Digibook Leads Off Epic Middle-Earth Trilogy

Cornered and nowhere to run, this is the perfect place to keep audiences hanging another year.

Harsh criticisms such as overindulgences and cheap marketing ploys have been thrown around the film circles a bit too much regarding Peter Jackson's return to Middle-Earth in nearly a decade. Sure, The Hobbit: An Unexpected Journey only covers 1/3 of a 300-page children's book, leaving audiences hanging for two more 3-hour sequels, but there's nothing wrong than building up a little anticipation. Not at all.

In the first leg of this three-movie trek, Bilbo Baggins (Martin Freeman) sets out from his comfortable hobbit hole in the midst of the Shire's green pastures to join 13 dwarves who have been displaced by a  dragon plundering their mountain stronghold. For those joining the adventures of fantastical Middle-Earth for the very first time should know that along the way, birds, beasts and a gangly creature called Gollum are obstacles in the way of reclaiming the Lonely Mountain.

Ready 'Guardians' Blu-Ray for Those Easter Baskets

The greatest gift is seeing all these mythological characters sharing the same screen.

Somebody in the Dreamworks Animation marketing department is an absolute genius. Release Rise of the Guardians in theaters right before the Christmas rush and likewise, its Blu-ray release just in nick of time for Easter. Coincidence? Hardly.

Rise of the Guardians is best summed up as the Avengers of mythological beings - the best of the best joining forces to rid the world of evil in the form of Pitch Black (Jude Law) and his deathly steeds. A thickly Russian accented Santa Claus (Alec Baldwin) and a boomerang-wielding Easter Bunny (Hugh Jackson) are givens to protect the children of the world from the Boogeyman. Joining them in this eternal struggle are the lesser known (or ones without holidays) Tooth Fairy and Sandman. And collectively, they stand united as Earth's Mightiest Heroes...sorry Guardians.

There's No Place Like "Oz," Even 75 Years Later

Oz (James Franco) finds himself in a magical world needing saved from the Wicked Witch.

No offense to Sam Raimi, but he's probably not one of the first directors that comes to mind who would attempt to reimagine the enchanting world of L. Frank Baum's Oz. Given his directorial track record of the Spider-Man trilogy, Army of Darkness and The Evil Dead, a land of munchkins, witches and wizards seems all too foreign for someone who made his mark producing cult-classic splatter-fests.

Oz the Great and Powerful reopens the doors to the whimsical parallel world made famous by Baum's series of novels and Victor Fleming's 1939 classic starring Judy Garland. But this trip misses a few of the key ingredients. No Dorothy. No Scarecrow. No Tin Man. No Cowardly Lion. In fact, the Wizard of Oz comes in the form of James Franco as a small-time magician from Kansas, continuously looking for opportunities to cheat and swindle the simple-minded.

Disney's "Wreck-It Ralph" Levels Up on Blu-Ray

Tired of being the bad guy, Ralph (John C. Reilly) tells other arcade baddies his concerns.

If you're one of the millions out there logged into XBOX Live or World of Warcraft hours and hours at a time, or perhaps spent your childhood battling side-scrolling adventures with Mario or Link, Disney's latest animated release, Wreck-It Ralph speaks to gamers regardless of age.

Wreck-It Ralph begins in the 8-bit world of Fix-It Felix Jr., reminiscent of a classic 1980s arcade game that borrows heavily on Mario and Donkey Kong. For 30 years, Wreck-It Ralph (John C. Reilly) has been programmed to be the bad guy, whose only job is to demolish a solitary penthouse before his cheery hammer-wielding adversary, Felix fixes the wreckage. For once, Ralph just wants to be adored as the good guy and decides to venture off to other games in the arcade to win a medal. After battling bugs in a sci-fi first-person shooter, Ralph lands himself in a candy-coated go-kart game where everything isn't as sweet as it seems.   

Love Takes a Lethargic, Gloomy Turn in "Amour"

Georges (Jean-Louis Trintignant) is troubled by wife's (Emmanuelle Riva) recent strokes in Amour.      

There's nothing quite like sitting through one of Michael Haneke's films. The Austrian director has a tendency for scrutinizing the world through a bleak, somewhat disturbing lens that challenges even his most optimistic audiences. His latest film, Amour, is no exception and his most rational view on the gloomier moments in life. The title itself, which translates as "Love," immediately throws audiences for a loop, who presume to be uplifted by geriatric romance.

Check all those positive vibes at door, because instead, we're treated to over two hours of a devastating study of decay and dying, solely focused on an elderly Parisian couple. As soon as the opening credits end, the first shot is a fire brigade breaking an apartment door only to reveal a rotting corpse adorned in flowers. Already hitting audiences with a heavy-hearted impression, Amour quickly turns back the clocks to disclose who Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva) were and what specific episodes brought about this grim finale.

Bigelow, Chastain Shine in Bin Laden Manhunt

Maya (Jessica Chastain) takes charge of a decade-long manhunt to bring Osama Bin Laden down.

Imagine if Zero Dark Thirty was released two, perhaps three years ago, sticking to its original premise immersed in the crossfire of the 2001 Battle of Tora Bora. While focused on one decisive event in the capture of Osama Bin Laden, award-winning producers Kathryn Bigelow and Mark Boal would have found themselves boxed in by one of the most nail-biting "to be continued" cliffhangers for the most significant manhunt in American history.

Fortunately, the hunt Bin Laden ended in May 2011 as he was permanently compromised in his Pakistani compound. But that's just the end of the decade-long story. Zero Dark Thirty covers a much larger scope, commencing with audio clips from the September 11th attacks. Heartbreaking to listen to, the 9/11 audio ultimately serves its purpose in establishing the gritty tone for the next 150 minutes as the CIA interrogates every level of Bin Laden's hierarchy.