"Raiders" Triumphs Again in Limited IMAX Engagement

The fedora, the bullwhip, the iconic jacket, it can only be one man...Indiana Jones!

Bringing Raiders of the Lost Ark back into theaters was not only a genius way for us to revisit the first of the iconic Indiana Jones franchise, but in typical George Lucas fashion, also a way to introduce younger audiences to the man with the bullwhip and fedora (if a certain Kingdom of the Crystal Skull hadn't already scared the masses away four years ago). That's all fine and nostalgic, but at its core, the re-release of Raiders back into theaters (and for the first time in IMAX as well) is primarily marketed to capitalize on the upcoming Blu-Ray release.

Spielberg's 'War Horse' Journeys Towards Epic Proportions

Steven Spielberg gives audiences not just one, but two movies over the holiday stretch.

If The Adventures of Tintin wasn’t enough Steven Spielberg over the long holiday season, there remains yet one more sprawling epic from the iconic director with the release of War Horse. 2011 isn’t this first instance that Spielberg has released two of his films in the same year. Back in 2005, Spielberg released his vision of War of the Worlds in the midst of summer and Munich, later in the year attracting attention from many critics. 

War Horse comes at the perfect time of the year, fitting the shape of an awards bait film with its epic scale and emotional tension. Though everything points to War Horse being a film that is here to only collect a potential pile of awards, there is so much more that Spielberg delivers in divulging a tale that simply comes down to one about a boy and his horse. And that’s exactly how War Horse begins. An Irish farm boy named Albert (Jeremy Irvine) begins a bond with a recently purchased horse, but when his father is behind on the rent, the horse is thrown into the midst of World War I and continuously changes owners.

Spielberg Returns with Visually Groundbreaking 'Tintin'

Tintin (Jamie Bell) and Captain Haddock (Andy Serkis) team up to find the secret of the Unicorn.

When two of Hollywood’s most acclaimed directors converge together, you simply expect a project that hoists itself above the ordinary and perhaps the extraordinary too. Steven Spielberg has proved time and time again, hardly without fail that he is the universal benchmark among directors. Whether tackling historical drama or sci-fi, Spielberg has brought to life some of most iconic films of the past forty years, but it is when he ventures back to those serials from the 30s and 40s along the lines of Indiana Jones does the timeless magic take shape once more. 

Now The Adventures of Tintin might not be a classic charismatic archaeologist with a bullwhip, but a Belgian boy detective and journalist, a drunken sea captain and cuddly canine companion are an equal fit for the genre and for Spielberg himself. The Adventures of Tintin is based on the Hergé comics from that serial era. Spielberg starts the adventure in the middle of the series with The Secret of the Unicorn, which also happened to be a temporary subtitle for the film as well.