"The Odd Life of Timothy Green" certainly owns up
to its gimmick of being a tad bit odd. After all, the titular pre-adolescent,
Timothy Green (CJ Adams) isn't exactly your ordinary kid. One rainy night,
Timothy magically emerges out of the ground and ends up in the spare bedroom of
a North Carolina couple (Joel Edgerton, Jennifer Garner), who want children,
but can't medically produce them. This all happens after Cynthia (Garner) and
Jim (Edgerton) brainstorm all the ideal qualities their dream child should have
and box up and bury their notes in the backyard (coincidentally the same exact
spot where Timothy came from). Yes, it's
all the elements of a magical fairy tale, but the ultimate kicker is that
Timothy has leaves protruding from his ankles. Odd...right?
"Timothy Green" has all the right intentions as a wholesome
family fun. But unfortunately everything about the film is just too perfect and
cookie cutter. First and foremost, Timothy is the perfect child: honest,
compassionate, obedient, an artist like Picasso, a musician and a game-breaking
soccer player. The problem is that it screams obvious fiction by giving one
single child all these ideal qualities. Even if Timothy would have had a fault,
maybe even two like any normal kid, there would less times when you're taken
out of the moment. Granted for Timothy's "parents," they want a
flawless son (who doesn't), but perfection has a tendency to feel out more
creepy, robotic vibes.
CJ Adams does a fine job with what's he's given with as the
titular Timothy, but when there's only so much a child actor can do when
burdened with a screenplay seemingly straight from The Hallmark Channel. The
same apply to Edgerton and Garner, who are adequate in their own right, but
they're spewing line after line of nauseating dialogue, which fails to make
them credible as the main players in this fantasy. Writer/director Peter Hedges
(how do these puns keep cropping up?) constructs "Timothy Green" in a
manner that only smaller children with little knowhow of characterizations will
appreciate. But for the rest of us, “Timothy Green” lacks the spark to ignite
any sort of definitive investment in what becomes of these characters.
But for all its abundance of ill-conceived Hallmark Channel
moments, Hedges maintains a concrete understanding of magic and charm that
serves a whimsical modern-day fantasy like this. A hefty portion of Hedge’s understanding
stems from utilizing a color palette of reds, oranges and greens to symbolize
Timothy’s connection to nature. For a good chunk of the film, every scene is
overpowered with green like it was transported directly from Emerald City in
“The Wizard of Oz.” But as summer quickly turns to fall, everything transforms
to red and orange still dominating the magical canvas. Like the screenplay, one
can only take in so much blatant use of color imagery before it eventually
loses its luster. It takes a while, yes, but when the final act rolls around,
the threshold’s been crossed.
The overall structure of “Timothy Green” suffers from the
get-go as all the events with Timothy are told in flashbacks, providing a
bittersweet tale from the start. Garner and Edgerton tells their story to an
adoption agency, bit by bit, and though it works fine as moments of reflection
and redemption, the scenes up spoiling how the story unfolds. How can we invest
in a character in Timothy, only to have a sense of insecurity concerning his
fate? Timothy doesn’t evolve and his “big” moments are only dictated by the
handful of notes buried in the ground. He comes to his “parents” weird and an
outcast and the last time we see him, he’s exactly the same. Timothy never fits
in at school or miraculously becomes a popular kid overnight and his relatives
see him as a “freak of nature,” even without knowledge of his leaves. For
Timothy, his only redemption at character development is a shoehorned love
interest who seems to understand what he’s going through.
Honestly as much as the film is supposed to hang on Timothy’s
cuteness and awkwardness, the real weight of the story resides with the
infertile couple, who are given this chance with Timothy thanks to magic. But
even their relationship with Timothy is limited in how far the script takes it,
the tension at their actual jobs, several family rivalries and the concept of
infertility are key components of investment. This is exactly where the adults
will relate and younger audiences will most likely be clueless. Infertility and
coping with infertility aren’t glanced over by any means. It’s a core component
to the overall story and kids might very well get the impression that children
pop out of the ground.
Garner and Edgerton work through the tough adoption agency
scenes better than any of the screen time they have with Timothy. In fact, both
actors put out some of their strongest moments in each of their own family
rival moment. Garner is constantly bombarded by her sister’s (Rosemarie Dewitt)
perfectionist attitude, while Edgerton butts heads with his estranged father (David
Morse). The standout here is Rosemarie Dewitt, who sinks her teeth into a role
that you just love to hate. Her pompous attitude plays off her sibling’s family
rather nicely that with that tension onscreen, it becomes the motivational
catalyst to actually cheer Timothy on in these few scenes together.
Despite the predictable narrative, “The Odd Life of Timothy
Green” does have its moments few and far between what seems to be a solidly
paced tale. If director Hedges wasn’t bogged down in making the perfect odd
child in the most bogus of circumstances, there might have been something
worthwhile watching. For some, “Timothy Green” will be the perfect wholesome
family film that can easily be replicated on The Hallmark Channel. And for the
rest, it’s simply another live-action Disney film that’ll find it detached from
an audience that yearns for a little more. “Timothy Green” isn’t exactly Disney’s
weakest release, but a firmer grip on realism would make all the difference.
GRADE: C (5/10)
This review is also available on Blu-Ray.com
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